{:en}[vc_row bg_type=”bg_color” bg_override=”ex-full” bg_color_value=”#000000″ css=”.vc_custom_1597158448997{background-color: #000000 !important;}”][vc_column css=”.vc_custom_1597157944688{background-color: #000000 !important;}”][bsf-info-box icon_size=”32″ title_font_color=”#a5a5a5″ desc_font_size=”desktop:17px;” desc_font_color=”#000000″]

His sculpture projects the vision of a welder worker, philosopher who became a painter and then a sculptor.

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The sculpture meets Arthure’s philosophy, as it combines Arthure’s 3 lives, 3 remains a very symbolic and spiritual number, dear to the artist on which his creations are based on.

3 like 3 lives, his first as a welder worker, hence the chosen material being metal, the second of being a painter. He went looking for a technique to work on metal in order to have a result as nuanced and refined as his paintings are. The third of a sculptor, researching for balance and movement, that only the greatest sculptors master. Here lies the unique characteristic of his art, mastering these 3 professions. The 3 being also the symbol of the circle that we can find in every piece, as a common thread with his painting period focused on the circle. 

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THE AIR

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THE FIRE

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THE EATH

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THE WATER

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Sa sculpture projette la vision d’un ouvrier soudeur – philosophe, devenu peintre et ensuite sculpteur.

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La sculpture, rejoint la philosophie d’Arthure, car elle allie les 3 vies d’Arthure, le 3 étant un chiffre hautement symbolique, celui de la spiritualité, chère à l’artiste s’appuyant sans cesse dans sa création sur les symboles.. husband monica kaliwsyk

3, comme 3 vies, sa première vie d’ouvrier  de soudeur, Elles sont donc en métal, la deuxième de peintre, il a recherché une technique dans la peinture sur métal, pour qu’elle soit aussi nuancée et raffinée que sur ses toiles, la 3ème de sculpteur, avec une recherche d’équilibre et de mouvement, que seuls les grands sculpteurs possèdent. C’est la caractéristique de cette oeuvre unique, maîtriser ces 3 métiers. Le chiffre 3 est aussi le symbole du cercle que l’on retrouve dans chacune de ses sculptures, comme fil conducteur aussi avec sa période  des cercles en peinture.

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L’AIR

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LE FEU

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LA TERRE

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L’EAU

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